The Philosophy of Mystery · 18 of 35
Sublimity and Imperfection of Dreaming
“We are such stuff
As dreams are made of, and our little life
Is rounded by a sleep.”
Tempest.
Ev. In the transition to and from the repose of sleep, the mind is sinking into oblivion, and thought is fading, and the senses and sensation are overshadowed in their regress to insensibility: even instinct is well nigh a blank. This is the state of slumber. Then, I believe, and only then, are we ever wandering in the ideal labyrinth of DREAMS.
There is a curious calculation of Cabanis, that certain organs or senses of the body fall asleep at regular progressive periods; some, therefore, may be active while others are passive, and in this interesting state, I may hint to you, consists the essence of a dream. It seems that in dreamless sleep, the senses fall asleep altogether, as in the case of Plutarch’s friends, Thrasymenes and Cleon, and others who never dreamed.
Astr. So there is some truth in the fanciful conceit of Cardanus, that “Sleep is the rest of the spirits,—waking their vehement motion, and dreaming their tremulous motion.”
Cast. And philosophy plumes herself on her wonderous intuition for this discovery. Let her blush, and kneel before the shrine of poesy. The poets, even of a ruder age than ours, have thought and written before you, Evelyn, and have unfolded these arcana. How doth Chaucer usher in his “Dreme?” —
“Halfe in dede sclepe, not fully revyved;”
and again:
“For on this wyse upon a night
As ye have herd withouten light,
Not all wakyng ne full on slepe,
About such hour as lovirs wepe;”
and in “La Belle Dame sans Mercy,” there is the same thought:
“Halfe in a dreme, not fully well awaked;”
and in Sir Walter’s “Antiquary:” “Eh, sirs, sic weary dreams as folk hae between sleeping and waking, before they win to the long sleep and the sound.” So will your philosophy dwindle somewhat in its consequence, Sir Clerke.
Ev. We are not jealous of these glimpses of a poet, Castaly; they impart a value to their rhymes: we enrol such poets in the rank of philosophers.
Ida. Solve me this question, Evelyn: is there any relative difference between the subjects of dreams before and after sleep?
Ev. It has been thought that there is more reference to reality in the first, and more confusion and wandering of imagination in the second; but as nature is often excited rather than exhausted at night, there may be equal brightness with the morning dream, occurring after the recreation and refreshment of sleep.
Cast. We may concede, then, some wisdom to the Sybarites, who destroyed their morning heralds, the cocks, that they might enjoy their matin dreams undisturbed. And I remember one of Pope’s allusions to the virtues of this υπαρ, or morning dream:
“What time the morn mysterious visions brings,
While purer slumbers spread their golden wings.”
Astr. We have often discoursed on the psychology of Locke, Evelyn, and we are now involved in one of its most interesting points— innate idea. Is the dreamer conscious of his dream? It has been asserted, especially by two profound metaphysicians, Beattie and Reid, that they persuaded themselves in their dreams that they were dreaming, and would then attempt to throw themselves off a precipice; this awoke them, and proved the impression a fiction. Were there not present in this, volition and consciousness; and is it not an evidence of an innate idea without sensation?
Ev. No. A train of thought and passive memory may take place without volition, even in a waking mind; a train of reasoning cannot. So feeling and passive thought may in the mere dream, but not a conscious acting on it. The phenomena, and the expressions used to describe these impressions, are precisely illustrative of another condition of sleep, to which we have not yet pointed. This notion of Beattie was but an echo of Aristotle. The Stagyrite himself was subject to dreams of danger, and, after a while, he used to whisper to himself: “Don’t be frightened,—this is only a dream:” the glaring proof that it was not; and yet psychologists still talk of the management of a dream.
The fairest explanation is, that there has been a predetermination on some point, and unconscious ideas on the same point are elicited, or may be the first to present themselves to the mind in the morning, at the moment we awaken, and thus it is the first which the judgment acts on in its reverie; that is, the line between dreaming and being awake. If there be many organs asleep, there is still some clouding of this judgment; but if that be asleep also, there is an absolute dream.
If we know that we are dreaming, the faculty of judgment cannot be inert, and the dream would be known to be a fallacy. We might, by thinking, render our dream what we pleased, and be sure we should never wish for devils or dangers. The essence of the dream is that it is uncontrolled: other states are not dreaming. Above all, if judgment influenced the dream of Beattie, who was not a madman, would he have wished to have toppled down headlong from a rock? Listen to Johnson on this point. “He related that he had once, in a dream, a contest of wit with some other person, and that he was very much mortified by imagining that his opponent had the better of him. Now.” said he, “one may mark here the effect of sleep in weakening the power of reflection; for had not my judgment failed me, I should have seen that the wit of this supposed antagonist, by whose superiority I felt myself depressed, was as much furnished by me as that which I thought I had been uttering in my own character.”
Nay, in the words of Beattie himself, in his “Essay on Truth,” —
“Sleep has a wonderful power over all our faculties. Sometimes we seem to have lost our moral faculty; as when we dream of doing that without scruple or remorse, which, when awake, we could not bear to think of. Sometimes memory is extinguished; as when we dream of conversing with our departed friends, without remembering any thing of their death, though it was, perhaps, one of the most striking incidents we had ever experienced, and is seldom or never out of our thoughts when we are awake.”
Even the most sensitive and amiable girls will dream of committing murder, or the most awful crimes, without any sense of compunction. We feel no surprise at the working of our own miracles; and we know not how to avoid danger. I have myself dreamed of occurrences long past, as if they were of to-day; have fretted in my sleep, on ideal events, and on waking was for a moment wretched. But I have reflected, awake, on these very events, and have not only felt resigned, but deemed them benefits.
There was in the university of Gottingen the physician Walderstein. He was a constant dreamer, and this is his account of one of these illusions. “I dreamt that I was condemned to the stake, and during my execution I was perfectly composed, and indeed reasoned calmly on the mode in which it was conducted;—whispering to myself, ‘Now I am burning, and presently I shall be converted into a cinder.’ ” It seems that he was dissatisfied with his dream, on account of this apathetic calmness; and he concludes: “I was fearful I should become all thought, and no feeling.” I would say, he was all illusion and no judgment.
It is but lately that I dreamed I was reciting a metaphysical poem, which my vanity whispered me possessed a deal of merit. During the recitation I thought there was a turning up of noses, and of tongues into cheeks—a very expressive sign of incredulity and satire. At length a general murmur ran through the assembly that it was a complete “boggle.” Nothing daunted, I assured them that it was a very abstruse passage, and the fault was in the shallow comprehension of my audience. Need I add, that I should blush at such an evasion in my waking judgment?
How different also is our dream from a waking thought, in which we can control the fancy!
If in the dream the chain be abruptly broken, the waking mind does not then carry on the train, and if any thing occur in waking, associating with the dream, to join the broken link, the dream is not completed, but the ideas revert, or are retraced, to their source; and if any idea at the origin of the dream be re-excited, there will be no consistent continuance of it beyond the dream itself, or, if there be, it will bear the stamp of reasoning, losing all connexion with the illusion. On the contrary, if we read as we are falling asleep, we continue in the dream the subject of our study, but erroneously; and if we then start and wake, we shall find that at the moment of slumber we had changed the integrity of our thinking. Be assured, then, that Virgil is correct in this —
“She seems alone
To wander in her sleep, through ways unknown,
Guideless and dark.”
Cast. And now, Sir Knight, deign to look on the other side of the shield. Answer me with sincerity,—if your words be true, is not this a high privilege of imaginative minds, to lift themselves out of the gloomy atmosphere of this world of woe; to soar with fancy, not to drudge with fact? How do I envy a romantic dreamer, like him of whom Master Edmund Spenser writes, —
“——at length, some wonted slepe doth crowne
His new falne lids, dreames straight, tenne pound to one,
Out steps some faëry with quick motion,
And tells him wonders of some flourie vale.”
Sleep is indeed the reality of another existence.
Astr. So breathed the thought of Heraclitus, in words like these,—that “all men, whilst they are awake, are in one common world; but that each, when he is asleep, is in a world of his own.” The fairies are his boon and chosen compeers, and the sylphs are as much his handmaidens, as those around the toilet of Belinda. We are indeed the happy children, and, like them, our existence is a dream of felicity,—one long and happy thought of the present, with no reflection or forethought to mar its blisses.
Then the shades and memory of departed friends and lovers, are they not around us as true and as beautiful as when they lived? The common sentiment of enamoured dreamers is —
“I hear thy voice in dreams upon me softly call;
I see thy form as when thou wert a living thing.”
In the dream, ambition is lifted to the loftiest pinnacle of her high aspirings; and power and riches are showered in profusion in the path of their votaries from the cornucopia of fancy; and all this with a depth and intensity that gilds for a time the moments of waking life. And I agree with Saint Augustine, that if we sleep and dream in Paradise, our existence will be perfectly felicitous.
But then, alas! the cruel waking from this world of pleasure. I have breathed many a sigh of sympathy with Milton’s dream of his dead wife, and with Crabbe, in his “World of Dreams.”
You remember, Evelyn, how oft you have wondered at my absence from our college cœna. You thought not that I was then deeply studying how I might gain a victory over my thoughts in sleep. As my waking memory would, from some indefinite cause, be re-excited after it had seemed to fade and die, so the subject of my dreams has been resumed after many months, without any chain of relative thoughts in the interval. I believed then that this might be a dream; that I had dreamt the same before; but on the morning of the second dream, reflection assured me that on the morning of the first I had known and thought on it. I was waiting for a golden hour of inspiration, and it was granted me. One night came o’er my slumber a dream of beauty: there was an innocent happiness, a sense of purest pleasure, that might be the beatitude of a peri ere she lost her place in Eden. In the morning, the dream was a part of my being; I nursed it throughout the live-long day, and at night lay me down to slumber, and again with the sleep came the dream. I was thus the monarch of an ideal world: the dream was my life, so long as my thoughts were on it concentrated, and even study was a Rembrandt shadow on its brightness.
In a moment of rapture, I cried, —
“We forget how superior, to mortals below,
Is the fiction they dream to the truth which they know.”
I opened the leaf of a volume, in which an accomplished pen had traced an episode so like my own, as to make me wonder at its truth.
It was of a visionary German, who, like myself, commanded the phantasie of sleep’s own world, bringing one night thus in connexion with another. He fashioned, like Pygmalion, his idol, Love, and nightly met and wooed, till he won her to his heart, and then he cried,—“What if this glorious sleep be a real life, and this dull waking the true repose?” At length his ideal of beauty, his dream, died, stung by a serpent. And then the order of the vision was reversed; the dream lay again before him, dead and withered; he saw his idol only when he was awake, and this was to him a dream. He pined in thought, and died,—sleeping.
Was not the sleep of this man his real life, and a scene of happiness? Could he wish for reality who had enjoyed such a dream? For if in life there were equal sleep and waking, and the sleep were all a happy dream, this would indeed be a happy life.
May I tell you, Evelyn, that I enjoyed a deep sublimity of feeling, a consciousness of that mental emancipation which devout philosophers have more than glanced at?
Ida. Although you have again rather run wild, Astrophel, I agree with you in thinking that, under this influence, the dream may be an illustration of Plato’s notion, regarding the existence of eternal forms, independent of matter,—an emanation of the divine mind imparted to that of human beings; that innate idea, if you will, by which the mind views at large —
“The uncreated images of things.”
And I therefore revere the opinion of Sir Thomas Brown, the ingenious author of the “Religio Medici,” (with whom believed Sir Henry Wotton, Bossuet, and other good men,) “That we are somewhat more than ourselves in our sleeps, and the slumber of the body seems to be but the waking of the soul. It is the legation of sense, but the liberty of reason; and our waking conceptions do not match the fancies of our sleeps.” And also the sentiment of Addison, that “there seems something in this consideration, that intimates to us a natural grandeur and perfection of the soul.”
Cast. In your temple of transcendental philosophy you will leave a niche for Shakspere, dearest Ida, who, even in one of his lightest characters, forgets not this perfection of our emancipated spirit. Lorenzo whispers to the fair Jewess, in the garden at Belmont —
“Sit, Jessica. Look how the floor of heav’n
Is thick inlaid with patines of bright gold!
There’s not the smallest orb which thou behold’st,
But in his motion, like an angel sings,
Still quiring to the young-ey’d cherubims.
Such harmony is in immortal souls;
But, whilst this muddy vesture of decay
Doth grossly close it in, we cannot hear it.”